The ‘right'-wing’ press claims to be the most opposed to the underhand tactics of the outrage mob. Yet, time and time again it cries ‘outrage’ when none is warranted, even against those figures it should be trying most to defend.

From using previous recordings of stadium ambience, a Frankenstein’s mixture of various sounds is hooked to a live broadcast, then a faceless figure watching the game tries to mimic the type of crowd noise to go with what they are seeing happen, during every moment, over the course of the entire game.

Our institutions have failed us during the coronavirus pandemic; when their criticism is needed more than ever.